Wednesday, December 20, 2006

UK report on robot rights

The Financial Times published an article today about a UK-based study which speaks out for the prospective rights of AI and robots in particular. It is striking that in this day and age, when certain 'hostile individuals' are stripped of their rights and are being deported to prison camps out of the regular jurdicial range, studies are funded which explore the possibility of the integration of highly developed AI into society.

Sir David King, Chief Scientific Advisor to the UK government, was already under criticism for endorsing the reliance of the UK on nuclear power, since it would conflict with his views on global warming I consciously refrain from using the word climate change, which is the intellectual property of Mr. Frank Luntz, a pollster who ran focus groups for several Republican races and also a poll for the Tories in 2005.

It is probably one of the human traits to rather engage in future desire than to focus on current problems at hand. However, it is interesting to read excerpts of the report and to imagine how exactly your tincan companion will have the right to vote, pay taxes and receive special healthcare.



Far from being extracts from the extreme end of science fiction, the idea that we may one day give sentient machines the kind of rights traditionally reserved for humans is raised in a British government-commissioned report which claims to be an extensive look into the future.

Visions of the status of robots around 2056 have emerged from one of 270 forward-looking papers sponsored by Sir David King, the UK government’s chief scientist. The paper covering robots’ rights was written by a UK partnership of Outsights, the management consultancy, and Ipsos Mori, the opinion research organisation.

“If we make conscious robots they would want to have rights and they probably should,” said Henrik Christensen, director of the Centre of Robotics and Intelligent Machines at the Georgia Institute of Technology.

(...)

Robots and machines are now classed as inanimate objects without rights or duties but if artificial intelligence becomes ubiquitous, the report argues, there may be calls for humans’ rights to be extended to them.

It is also logical that such rights are meted out with citizens’ duties, including voting, paying tax and compulsory military service.

(...)

“There will be people who can’t distinguish that so we need to have ethical rules to make sure we as humans interact with robots in an ethical manner so we do not move our boundaries of what is acceptable.”

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Tuesday, December 12, 2006

Last gigs for the year

As the year draws nearer to its end, you nevertheless might get the impression that Christmas is early this year. Wolf Eyes and entourage (consisting of Sudden Infant, Damion Romero and ex-member Aaron Dilloway) were at Bardens Boudoir yet again. I saw them last year in June at the same venue along with Duracell and Sudden Infant. It was the very first time I was exposed to the sounds of Duracell and that's why this gig is rather present in my memory. But this should by no means discredit the hellish endeavour of Michigan's finest. Yeah!


And yesterday, I had the pleasure to attend a very special gig of the Books. I've never seen them live before and so I was thrilled to find out that they're not only playing in a seated venue with a fine pa than can accommodate pretty much anything from classical music, theatre and electronic eclectica, but they also managed to get
Kim Hiorthøy as support. Two birds with one stone for me!
The venue was really nice and Kim rocked the house, thereby totally giving credit to his initial warning that he'll play some "slightly inappropriate music". The set ended with a real club vibe, portable strobe-light included. If he shall ever decide to come down to London once more and play in a club, I'll be in the front row, since his music is bound to be moving your feet.


The Books performed a really beautiful set along with a video-performance accompanying each song. The atmosphere was light-hearted, yet not superficial, and both witty and deeply philosophical at times. Stunning. I am not completely sure whether I should be glad or disappointed that not more people are aware of this formidable act. Then again, playing Queen Elizabeth Hall is pretty close to stardom and I just hope that both guys will stay as intelligent and down-to-earth in their future performances and output as they are now. They have my utter appreciation and support! Make sure you check out their beautifully made website!

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Tuesday, December 05, 2006

Overkill IV, Corsica Studios

What can I say? LittleBig and Wrong Music did it again! Just coming home from their European Overkill Tour (and kudos to them for actually touring Eastern Europe intensively!), the finishing gig went down last Saturday at Corsica Studios yet again. I probably should consider myself lucky that I live close by.
The different acts and bands are too much to list and describe (better have a look at the links instead), so I will just sum up what I learned on that night:

Saxophones can actually sound like distorted guitars and every doom/drone band should have at least one saxophone player in their ranks.

A Casio keyboard can be an essential asset for a grind core outfit, up to the point that you don't even need a guitarist anymore.

Joysticks can be taken literally if used as a strap-on sound modulator and all of a sudden, what looks like masturbation is actually a creative process and stage performance. And a funny one as well!

Jungle isn't dead, it only smells that way, (I personally got rid of my dreadlocks several years ago, still love the sound, though...) and the 94/95 period was indeed the most creative.

You can actually operate a sound system and a laptop while climbing up the wall that's behind you and try to stagedive at the same time.

Victorian dandy outfits go very well with gabba beats and aural mayhem. It's just one of these strange inventions, you know. Time machines and steam-powered airships belong to this category as well, actually...

Gaybashing still isn't a real crowdpleaser here in Europe even when you pitch down the tone of your voice to a frightening 16rpm and wear geek glasses. You're still as unfunny as Eminem (sorry, Otto!).

Some impressions from the event:







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