Brightblack Morning Light at Cargo

Last Monday I got the chance to see one of my favourite new bands from 2006, Brightblack Morning Light. I usually describe them to people who don't know their music as: "Think of it as an acoustical version of early Black Sabbath half the speed but double the echo." As you might imagine, this is proper laid-back irie sound but with enough irony that there's no unintended campness in their performance.
Some pictures below:




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Old School, John Maeda

Last Saturday I went to town again to see some more art. Hauser & Wirth Gallery on Old Bond St. is currently showing an exhibition called "Old School". The idea is to show classical as well as contemporary paintings in one show and to examine the correlations between them. I have to say that although I was a bit hesitant in the beginning as to whether this might work or not, I can now say that I really enjoyed the show as I was pleased to find that some works of my all-time favourites Gerhard Richter and Jeff Wall as well as other contemporaries of the likes of Luc Tuymans are doing rather well in the company of old masters like Lucas Cranach the Elder and Carlo Dolci. Find some pictures below:





After that, I got myself immersed into a completely different aesthetic context by visiting John Maeda's exhibition "My Space" at Riflemaker Gallery. Maeda being one of MIT's finest in terms of new media art for years and it came both as a shock and a shame to me that I discovered him so late. I particularly liked the pieces he did with the iPods, be it to reprogram them as a display for a Mac II or as a form of collage. But the one piece that left me rather stunned was the sugarcube-print.

In the case of the Cibachrome photograph representing sugar granules, Maeda wanted to find some way to use every little crystal of sugar in one image. Influenced by the idea of nanotechnology — essentially the ability to paint with atoms — and by his conviction that computer graphics has become overused and overdeveloped, John Maeda thought it would be interesting to individually place together each crystal of sugar to obtain an image. The reality of all of the sugar in a sugar packet and the synthetic nature of three-dimensional computer graphics have come together in a series of highly saturated, visually captivating photographs.

The content of a single sugar packet was placed onto a scanner bed, and scanned in several passes. Maeda then created a computer program that was able to extract single images of the sugar crystals from the scan. To his surprise, Maeda found that in a single crystal packet there are more than 70,000 individual crystals. A computer graphic scene was then specially rendered by another piece of software he wrote. Finally another computer program he wrote processed the data such that each ‘pixel’ could be replaced with a corresponding sugar crystal cluster. This general process of using a conventional image scanner as a kind of camera, and the computer programs written by Maeda as a kind of chemistry for developing the film,repurposes digital photography to illuminate the relationships between image, artificial image, and reality. (link)

Highly recommended:





Pictures in this post are licensed under a Creative Commons Attribution-Noncommercial-Share Alike 2.5 UK: Scotland License.